Birmingham Pirate Radio in the 1990s

I’ve been looking through old VHS tapes from my student days and have digitised one a group of us did in 1995 about Pirate Radio in Birmingham. It makes for an interesting historical document partly as it’s about PCRL, Birmingham’s most significant pirate station in the 1980s and 90s but also because it features enough shots of Brum that are no longer there to make it feel ancient already. 

The DJs featured are Rebel D and Pilot. Both get a mention on the PCRL DJ profile page (Rebel D doesn’t seem to have an individual page).

It’s just under 9 mins long:

There’s a couple more Birmingham related VHS tapes I did that I’ll upload at some point.

Support your local music enterprise…

Musing on the Surface Unsigned thang on the Birmingham Post blog from which this is reproduced:

Today was an at-desk day. Actually quite a lot of days are kinda that way but generally I’ve got something in the diary that gets me out the building for a bit. Today though I had a proposal I was supposed to start last week, but didn’t, that had to be done by 5pm today, which it was. 

In between constructing paragraphs about why the Delphi method rocks in research terms I was struck by the unfolding drama in my RSS reader. In fact I now realise how differently I use the internet from 12 months ago when I would probably have completely missed the row over whether or not Surface Unsigned are screwing unsigned bands and acting like dunderheads over the use of Cease and Desist notices.

It was fascinating to watch the Birmingham blogging community come together to support what it still the city’s key resource for knowing what’s happening and who’s who in the creative and cultural industries. I’d presumed that they were fighting some corporate numbskulls who go out of their way to track down the mildest of criticism.  So, delighted to be distracted from proposal writing, I used the power of Companies House to track down the mighty Surface Unsigned Ltd. 

To my surprise it turns out they’re a small start-up from Walsall incorporated in February 2007. If you pay a pound you can get their last company report (and accounts if they’d filed any but they aren’t due until later this year) which will tell you that there are two company directors. One of them, Jon James (Jay) Mitchell also runs JJM Studios from the same address as Unsigned (and has the Unsigned link on its front page to confirm the connection). Andy Mabbett digs a little deeper and finds that Jay does some guitar tuition as well. Andy used whois rather than Companies House to find the details.

So it turns out he’s a local music industry entrepreneur. The pay to play concept he’s pushing may seem a little dodgy (although Dubber notes when pay to play can work and in the comments Gigdoggy points out that competitions as such usually always come with entry fees: “People pay to enter competitions, and in this case, its simply the fans who pay”) but I wonder if this is just a case of a local businessman trying new models for making money in the music industry and then acting all corporate when someone has the gall to diss their new product. Trouble is he chose to target a blog that’s way more than a blog to most of us.

This might have any number of outcomes and probably has a bit to run. Jay could come out of the woodwork and make a response but we might get another Dubber vs the BPI post which makes for great reading but even worse PR than Unsigned is already getting. What I find quietly amusing though is that what Unsigned have done is made themselves look and feel a damn sight bigger than they already are. A small company from Walsall is more than able to look like the big boys and, as it turns out, act as clumsily as them. Oh and my bet is all these email addresses on their contacts page go to the same person – Jay’s got a very full inbox…

CD Scarecrow – stage two

So having taken the decision to use old CDs to make a scarecrow I’ve now gone to the dusty and under-used CD shelf and made some tough decisions. Needless to say that S Club 7 (later in their career they would become just ‘S Club’) can now have all the sunshine they want as they have made the cut. Actually their CD is ideal as it shiny on one side, obviously, and white on the other. That places them very high indeed on the scary-meter.

Actually I don’t need many CDs to construct my scarecrow so the rest are made up of Travis (did we buy this? both of us deny doing so), Moby (newspaper freebie), Fat Boy Slim (ditto), Marion (mid 90s Britpop wannabes), Hard-fi (why is this man shouting at me?), Paolo Nutini (??), and The Good, The Bad and The Queen album which I have to say is awful and I hope I never have the misfortune to listen to again.

Before the weekend I hope to start construction of said scarecrow. More to follow.